01
Places, people and work
Real Life
The world with its shoes off. Cambodia, Byron Bay and the people who keep moving while everyone else is asleep.
View the collection → 4 works · A2 to A0
A Boy Called Oz presents
Proof that life happened.
Photographs from the road, the wild and the loud rooms. Made by Tony “Oz” de Latour, who may be older on paper but remains stubbornly twenty-four inside.
Featured work · OZ 001
Real Life
Byron Bay, Queensland.
Wall Art & Photos, Fine Art Giclée, Premium Fine Art prints.
Archival pigment print
Signed by Oz
Archival pigment print
Signed by Oz
Edition one
1/11
Curator's note
No trends to chase. No filler. Just moments with enough life in them to deserve another look.
Tony “Oz” de Latour
The exhibitionThree chapters,
Three chapters,
one restless eye.
Each collection has its own pace and story. Together they read like a life spent looking properly.
02
Queensland locals
Wild Life
Water dragons, friarbirds, spoonbills and owls. Patient photographs of subjects who never signed a release form.
View the collection → 4 works · A2 to A0
03
The loud room
Wild Live
Concert photographs and memorabilia from a life spent near the front, where the light is bad and the stories are better.
View the collection → 3 works · A2 to A0Selected from the wallsWorks worth
Browse all photography →Works worth
living with.
Separate identity · Made on a screen
After Hours.
The stranger digital work belongs in its own world. It does not pretend to be photography, and it does not interrupt the fine art collections.
Enter After Hours
01Archival printingCotton rag fine art paper with pigment inks.
02Signed by OzEach print is checked and signed before dispatch.
03Three sizesA2, A1 and statement-scale A0.
04Worldwide shippingRolled safely in a protective tube.
Older on paper.
Twenty-four everywhere else.
Twenty-four everywhere else.
The man behind the lens
A boy called Oz.
Tony has spent a lifetime pointing cameras at whatever refused to be ignored: Queensland wildlife, the back roads of Cambodia and every band worth standing in a pit for.
The work is observant, occasionally dark and never polished into something it was not.
Read the story